Bryan Forbes CBE (; born John Theobald Clarke; 22 July 1926 – 8 May 2013) was an English film director, screenwriter, film producer, actor and novelist described as a "Renaissance man"Falk Q. . BAFTA. 17 October 2007. Retrieved 9 May 2013 and "one of the most important figures in the British film industry".Batty D. Bryan Forbes, acclaimed film director, dies aged 86 . The Guardian. 8 May 2013. Retrieved 9 May 2013
Forbes directed the film The Stepford Wives (1975) and wrote and/or directed several other critically acclaimed films, including Whistle Down the Wind (1961), Séance on a Wet Afternoon (1964) and King Rat (1965). He also scripted several films directed by others, such as The League of Gentlemen (1960), The Angry Silence (1960) and Only Two Can Play (1962).
He published a short story collection in the early 1950s, which induced producer "Cubby" Broccoli to offer him screenwriting work on The Black Knight (1954). He received his first credit for Second World War film The Cockleshell Heroes (1955), while other early screenplays include I Was Monty's Double (1958), and The League of Gentlemen (1960), his breakthrough. Directed by Basil Dearden, Forbes also starred. The film recounted a bank heist carried out by ex-army officers, and gained critical success, including his first BAFTA nomination.
In 1959, he formed a production company, Beaver Films, with his frequent collaborator Richard Attenborough. Beaver Films made The Angry Silence (1960), a controversial Bafta-winning screenplay by Forbes in which Attenborough took the lead role, and the two men shared production responsibilities.
Forbes wrote and directed Séance on a Wet Afternoon (1964), and the same year he wrote the third screen adaptation of the Somerset Maugham novel Of Human Bondage. In 1965, he went to Hollywood to make King Rat, a successful prisoner-of-war story. He followed this with The Wrong Box (1966) and The Whisperers (1967), the latter featuring Edith Evans. A caper film, Deadfall (1968), starred Michael Caine.
Dennis Barker, in his obituary of Forbes for The Guardian, states, 'This amounted virtually to an attempt to revive the ailing British film industry by instituting a traditional studio system with a whole slate of films in play.' Forbes later said he went in with a "built in enemy" in the form of Nat Cohen who had also been offered the job, along with the "old guard" who did not like him. "
Under Forbes's leadership, the studio produced The Railway Children (1970), The Tales of Beatrix Potter (1971) and The Go-Between (1971), all successful.Andrew Roberts "Bryan Forbes profile at British Film Institute website Alexander Walker National Heroes: British Cinema in the Seventies and Eighties, London: Harrap, 1985, p. 114 His tenure, though, was marked by financial problems and failed projects, and he resigned in 1971. Forbes had full autonomy over the films he made as long as they were below a certain amount but later said "I lacked power in the one area where it really matters - distribution."
Coinciding with his time at EMI Films, he resumed directorial work with The Raging Moon (1971), starring his wife, Nanette Newman, and Malcolm McDowell.
In 1994 Forbes claimed the 18 films he made at EMI for £4 million overall returned £18 million of profit to the studio, with only two of the films making a loss. (Forbes got 5% of the profit.)
Forbes returned to Hollywood to direct The Stepford Wives (1975), based on Ira Levin's novel of the same name. The thriller about the backlash against the Women's Liberation Movement in the U.S., in which Newman had a supporting role, was to become Forbes's best-known film, partly because of the protests against it.Fox M. Bryan Forbes, 'Stepford Wives' Director, is dead at 86 . The New York Times. 8 May 2013. Retrieved 9 May 2013 Forbes clashed with screenwriter William Goldman over casting decisions and changes to the film's ending made by Forbes, causing Goldman to drop out of the project (while retaining the screenplay credit). Despite its notoriety, The Stepford Wives received mixed reviews and performed weakly at the box office. His subsequent films as a director were less successful: The Slipper and the Rose (1976), with David Frost as executive producer; International Velvet (1978), intended as a continuation of National Velvet (1944), with Newman in the same role as Elizabeth Taylor in the earlier film; Better Late than Never (1983); and The Naked Face (1984). His final film as a screenwriter was Chaplin in 1992.
He served as president of the National Youth Theatre, Writers' Guild of Great Britain and the Beatrix Potter Society.
For a time Forbes owned a bookshop in Virginia Water, Surrey.Bill Bryson, The Road to Little Dribbling (New York: Anchor Books/Penguin Random House, 2015), p. 82.
Forbes's directorial debut, Whistle Down the Wind, was nominated for several BAFTA awards, including Best Film from any Source and Best British Film in 1962.British Academy of Film and Television Arts: A tribute to Bryan Forbes CBE: 25 May 2007 . Retrieved 9 May 2013 Four of his other films were also nominated for BAFTA awards: The League of Gentlemen (1960), Only Two Can Play (1962), Séance on a Wet Afternoon (1964) and King Rat (1965).
In 2004, Forbes was made a Commander of the Order of the British Empire for his services to the arts. In 2006, he received the Dilys Powell Award for outstanding contribution to cinema of the London Film Critics' Circle Awards. In May 2007, he was the recipient of a BAFTA tribute, celebrating his 'outstanding achievement in filmmaking'.
Forbes was diagnosed with multiple sclerosis in 1975, while working on The Slipper and the Rose; he remained in remission, which he attributed to cutting out gluten and taking vitamins and oil of primrose, together with Newman's care. However, he revealed in a 2012 interview that it had been a misdiagnosis. He continued his acting, directing and screenwriting career into the early 1990s, and was still publishing novels in the 2010s.
He lived in Virginia Water, Surrey where he ran a bookshop in the 1960s. The shop never made a profit, but he thought "it was 'right' to have a bookshop in his local village". Forbes died at his home in Virginia Water on 8 May 2013 at the age of 86, following a long illness. His wife survives him.
Journalist and former Spectator editor Matthew d'Ancona, a friend of the Forbes family, said: "Bryan Forbes was a titan of cinema, known and loved by people around the world in the film and theatre industries, and known in other fields, including politics. He is simply irreplaceable and it is wholly apt that he died surrounded by his family." Film critic Mark Kermode wrote: "Once had the fan-boyish pleasure of telling Bryan Forbes how much I loved The Stepford Wives. He was charming and self-effacing. A great loss."
1954 | The Black Knight | |||
1955 | The Cockleshell Heroes | |||
1958 | I Was Monty's Double | |||
1960 | The Angry Silence | Also producer | ||
The League of Gentlemen | ||||
Man in the Moon | ||||
1961 | Whistle Down the Wind | |||
1962 | Only Two Can Play | |||
The L-Shaped Room | ||||
1963 | Station Six-Sahara | |||
1964 | Séance on a Wet Afternoon | Also producer | ||
Of Human Bondage | ||||
1965 | King Rat | |||
1966 | The Wrong Box | Also producer | ||
1967 | The Whisperers | |||
1968 | Deadfall | |||
1969 | The Madwoman of Chaillot | |||
1970 | The Man Who Haunted Himself | |||
Eyewitness | ||||
1971 | The Raging Moon | |||
1975 | The Stepford Wives | |||
1976 | The Slipper and the Rose | |||
1978 | International Velvet | Also producer | ||
1980 | Hopscotch | |||
Sunday Lovers | Segment: "An Englishman's Home" | |||
1983 | Better Late Than Never | |||
1984 | The Naked Face | |||
1989 | The Endless Game | Television miniseries; also based on his novel | ||
1992 | Chaplin |
1949 | The Small Back Room | Peterson, dying gunner | |
All Over the Town | Trumble | ||
Dear Mr. Prohack | Tony | ||
1950 | The Wooden Horse | Paul | |
1951 | Green Grow the Rushes | Fred Starling - Biddle crew member | |
1952 | Flesh and Fury | Fighter | Uncredited |
The World in His Arms | William Cleggett | ||
1953 | Appointment in London | The Brat | |
Sea Devils | Willie | ||
Wheel of Fate | Ted Reid | ||
1954 | The Million Pound Note | Todd | |
An Inspector Calls | Eric | ||
Up to His Neck | Subby | ||
1955 | The Colditz Story | Jimmy Winslow | |
Passage Home | Shorty | ||
1956 | Now and Forever | Frisby | |
Mabrouka | Dying soldier | Scenes deleted | |
The Baby and the Battleship | Prof. Evans | ||
Satellite in the Sky | Jimmy | ||
It's Great to Be Young | Mr. Parkes, organ salesman | ||
The Extra Day | Harry | ||
1957 | Quatermass 2 | Marsh | |
1958 | The Key | Weaver | |
I Was Monty's Double | Young lieutenant | Cameo | |
1959 | Yesterday's Enemy | Dawson | |
1960 | The Angry Silence | Journalist | Uncredited cameo |
The League of Gentlemen | Martin Porthill | ||
1961 | The Guns of Navarone | Cohn | |
1964 | Of Human Bondage | Uncredited role | Cameo |
A Shot in the Dark | Camp attendant | Credited as Turk Thrust | |
1965 | King Rat | Radio | Uncredited voice cameo |
1976 | The Slipper and the Rose | Herald | Uncredited cameo |
1978 | International Velvet | Awards presenter | |
1984 | December Flower | Harry Grey | |
1985 | Restless Natives | Driver | Cameo |
|
|